Carl Grossberg in Würzburg: Objective, magical, and visionary in the Kulturspeicher


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Carl Grossberg in Würzburg: Objectivity meets magical machine worlds
The Museum in the Kulturspeicher Würzburg dedicates a comprehensive retrospective to Carl Grossberg. The exhibition Objective – Magical – Visionary showcases around 50 paintings and about 100 works on paper on November 3, 2026, providing an impressive insight into a significant representative of the New Objectivity.
Architecture, industry, and the silent tension of modernity
Grossberg's clearly constructed city and village views, machine images, and industrial plants appear precise, cool, and at the same time enigmatic. Empty spaces, geometric forms, and technical devices dominate the visual world. Between objective observation and dreamy alienation arises a special event atmosphere that makes the exhibition visit a concentrated event experience.
An artist with Franconian connections
Carl Grossberg studied at the Bauhaus and lived from 1921 until his early death in 1940 in the Lower Franconian Sommerhausen. Many of his works draw on motifs from the region, including views of Sommerhausen, Eibelstadt, Kitzingen, Marktbreit, and Würzburg. The poster motif of the exhibition features an excerpt from his painting Bridgehead at the Old Main Bridge in Würzburg from 1928.
Why Grossberg's art feels relevant today
Grossberg not only observed technical modernity, but also questioned its controllability. Particularly his so-called dream images connect technology and nature with surreal visions. This creates surprising references to current topics such as artificial intelligence, technological change, work, and social insecurity.
Exhibition experience at the Museum in the Kulturspeicher
The presentation at the Museum in the Kulturspeicher was created in cooperation with the Von der Heydt Museum Wuppertal. A multimedia tour in the MiK app, a complementary playlist, and additional events deepen the engagement with Grossberg's work. The exhibition is aimed at art enthusiasts, cultural audiences, and anyone who wants to experience modern technology history from a new perspective.
Conclusion: Precise images with surprising aftereffects
Visitors can expect an atmospheric retrospective straddling New Objectivity, Bauhaus influences, and visionary machine images. Those looking to enrich Würzburg's art and cultural scene with an extraordinary exhibition will experience with Carl Grossberg a precise, sensual, and sustainably stimulating encounter with modernity.
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